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He peeked once again over the canvas at his model, who for several hours now had been artfully sprawled upon an
aluminum love seat he had dragged in from the patio. The bright orange frame was represented with an orange streak across the canvas, while her naked form had been rendered as a flesh-colored kidney bean resting on an ivory rectangle. In real life, the love seat was much more comfortable than it appeared in his painting, but comfort was not among the emotions he was trying to convey.
